11/8/2022 0 Comments La notte del giudizio 2013 ita![]() An exploratory tour of new music spaces, made possible by the presence of highly talented musicians embracing styles ranging from jazz to classical music, this record opens new paths in the area of folk and world music. Their latest album “Focu d’amore” reviews some major phases in the group’s repertoire, starting from its inception in 1975 when Daniele and Rina Durante founded the band. In such a buzzing music scene, Mauro Durante and his group Canzoniere Grecanico Salentino have been awarded the “Premio italiano Musica popolare indipendente” as best world music band. Like a marvellous tree, its sound, deeply rooted in the local traditions, boasts a lusty crown of modern branches and projects itself into the future with continuous unexpected stems. It has a bright voice which spreads around loud and clear, winning its place in the international music panorama. Written by: Osvaldo Piliego.ĭespite the sound of the word, Salento is not silent at all. Canzoniere Grecanico Salentino Best Italian World Music BandĪppeared on. This multi-generational group brings alive the music of Italy’s Puglia region-through atmospheric concerts ranging from tender love songs to pagan rites marked by frenzied dance and pizzica tarantata played on guitar, drums, accordion, and bagpipes. Thrill with the explosive excitement of one of Italy’s hottest bands. Canzoniere Grecanico Salentino in concert In conclusion, we can say that even without losing its sensuality and provoking a state of constant uneasiness, Pizzica might result attractive and involving for the rest of the world such as it did with the Babel Med Music 2011 audience. There are not so many musicians as Mauro Durante and his partners to conjugate a savage essence with a music with no imperfections It’s like a perturbation bringing us until remote periods.Īnyway this music is lacking success and glamour style to become a proper international phenomenon. The six young virtuous musicians and a naughty dancer with carmine veils on the stage dominate our emotions. Smiles come out, feet lift up from the ground, heart, bodies and soul mix with each other like in a turbine. In the crowd, you can see the first reactions provoked by the uneasiness of the pizzica. However, during the last night of he Babel Med Music festival 2011, this effort was largely compensated by the emotional intensity of the Italian group Canzoniere Grecanico Salentino In the night between the 26 and the 27 of March by saying hi to the spring we lose a hour according to the western timetable. Canzoniere Grecanico Salentino Live at Babel Med MusicĪppeared on. Their intense and precise arrangements of it are utterly beguiling and trance-inducing. Much of the material the group performs is intended for a traditional courtship dance from the region called the pizzica, or, more recently, the taranta. Dès l’ouverture de Focu d’amore, cette joyeuse bande italienne va droit au but. ![]() Un violon d’une gloutonne énergie, rejoint par une fougueuse voix féminine, puis celle d’un chanteur tout aussi emporté et le rythme entêtant du tamburello, un tambourin martelé avec frénésie. For one song the group brought up a Lebanese trumpeter, and soon the tambourines were propelling a chromatic, zigzagging melody that was headed away from home. But even as they exulted in their heritage, they stretched it. It plays an ancient style called pizzica tarantata: ritual healing songs driven by speedy, triple-time tambourines and declaimed in sharp-toned voices. The most traditionalist group at Globalfest was Canzoniere Grecanico Salentino, from Salento in the Puglia region of southern Italy, and it was a whirlwind. Canzoniere Grecanico Salentino are contagiously spreading the rhythms of Puglia round the world” There’s the bitter humour of the fizzing tarantella ‘I Love Italia’, featuring Piers Faccini, and the exotic-tinged ‘Taranta’, on which pianist Ludovico Einaudi pops up. Thundering tamburelli percussion and driving fiddle by bandleader Mauro Durante (whose father co-founded the band in 1975), propel the organetto, guitar, bouzouki, bass, zampogna, ciaramella and flute, with Maria Mazzotta, Gianluca Paglialunga and Emanuele Licci’s voices displaying stunning diversity of timbre. Producer Ian Brennan has captured the band’s sheer exuberance and straightforward sound. Or the rousing ‘No Tap’, on which Fanfara Tirana add weighty brass, or ‘Ziccate’, about local environmental devastations. Take the standout work-song-style opener ‘Tienime Tata’, or the powerful account of migrants, seeking hope, trying to cross the Mediterranean that is ‘Solo Andata’. ![]() LA NOTTE DEL GIUDIZIO 2013 ITA PLUSIt is awe-inspiring, stirring and soulful with an array of acoustic instruments plus subtle keyboards, this septet of accomplished musicians (plus one dancer) have long been giving Salento traditional music a contemporary character. “Quaranta, CGS’s new release, celebrates four decades of the group’s existence. ![]()
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